Sunday, 3 March 2013

Script Drafts and finalisation

Like every clip no matter big or small all require a script. Though only two minutes me and my group came up with script drafts and a final script we could use for are two minute clip.

First Draft


All Black
Dead Silence
INT. ROBS ROOM. DAY
Montage of ROB getting ready for school. Alarm Clock goes off. Close up of tie being done up. Picks up bag and walks out of the doors.
Put Headphone on (Music Volume increasing into the score)

EXT. ROAD. DAY
ROB bumps into a strange looking man
*Music Stops Dead*
ROB
Oh sorry, mate

STRANGER
(GRUMBLES AND MUTTERS UNDERNEATH HIS BREATH)

EXT. ALLEYWAY. DAY
ROB is grabbed by the STRANGER and thrown into a nearby wall. (Fast Editing is used in this short fight scene)
Close up of neck tie, STRANGER onto ROB’S neck in a firm grip.
ROB grabs a nearby pole and hits the stranger.
STRANGER drops dead to the ground
ROB
What have I done?
(Dropping the Pole and staring at his hands)
ROB runs away leaving the body behind twitching
*Fade to black
Opening sequence begins

This is the first draft our group came up with for our Thrillers opening sequence.

Second Draft 


ROB stands at the front door and puts headphones on (Music Volume increasing into the score)
                   
EXT. ROAD. DAY
ROB bumps into a strange looking man
*Music Stops Dead*
ROB
Oh sorry, mate

STRANGER
(GRUMBLES AND MUTTERS UNDERNEATH HIS BREATH)

EXT. ALLEYWAY. DAY
ROB is grabbed by the STRANGER and thrown into a nearby wall. (Fast Editing is used in this short fight scene)
Close up of neck tie, STRANGER onto ROB’S neck in a firm grip.
ROB grabs a nearby pole and hits the stranger.
STRANGER drops dead to the ground
ROB
What have I done?
(Dropping the Pole and staring at his hands)
ROB runs away leaving the body behind twitching

INT. ROBS ROOM. DAY
ROB lies in bed sleeping waking up at the sound of an alarm clock within the room. Removing the covers he walks to the cupboard.

INT. ROBS BATHROOM. DAY
Stands in front of the mirror preparing for work as he does his tie he stops half way looking at a mark on the side of his neck.
ROB stops looking at the mark and moves back to look at himself in the mirror.
Staring at the mirror he quickly jumps back as he looks at the mirror in fear. The STRANGER standing behind him close to the bathroom door.
ROB
(TURNS AROUND TO FIND THE MAN NO LONGER BEHIND HIM)
ROB
JOHN…… YOU UP HERE?
(He asks hesitantly but quite loud)

INT. KITCHEN. DAY
JOHN
Nah!! Im downstairs eating cereal, why?

INT. BATHROOM. DAY
ROB
Nothing!!!! Must be my imagination, too much stress from the new project
(Uttering the last phrase under his breath)
*Fade to Black

We changed our first draft feeling that it lacked practicality and a build in tension causing it to look less like a opening to a thriller and more like a cheap action from a low budget movie.

Third Draft 


ROB stands at the front door and puts headphones on (Music Volume increasing into the score)
       
EXT. ROAD. DAY
ROB bumps into a strange looking man
*Music Stops Dead*
ROB
Oh sorry, mate

STRANGER
(GRUMBLES AND MUTTERS UNDERNEATH HIS BREATH)

EXT. ALLEYWAY. DAY
ROB is grabbed by the STRANGER and thrown into a nearby wall. (Fast Editing is used in this short fight scene)
Close up of neck tie, STRANGER onto ROB’S neck in a firm grip.
ROB grabs a nearby pole and hits the stranger.
STRANGER drops dead to the ground
ROB
What have I done?
(Dropping the Pole and staring at his hands)
ROB runs away leaving the body behind twitching

INT. ROBS ROOM. DAY
ROB lies in bed sleeping waking up at the sound of an alarm clock within the room. Removing the covers he walks to the cupboard.

INT. ROBS BATHROOM. DAY
Stands in front of the mirror preparing for work as he does his tie he stops half way looking at a mark on the side of his neck.
ROB stops looking at the mark and moves back to look at himself in the mirror.
Staring at the mirror he quickly jumps back as he looks at the mirror in fear. The STRANGER standing behind him close to the bathroom door.
ROB
(TURNS AROUND TO FIND THE MAN NO LONGER BEHIND HIM)
He walks out of the bathroom into the hallway
           ROB sees the man outside the hallway window and sprints down the stairs to find the front door open wide causing him to stare in both shock and fear at the door.

This script draft took the previous dialogue in draft 2 and scrapped it due to all of our group feeling that it just looked a bit cheesy especially at the piece of dialogue that says "Nah! I'm downstairs eating cereal, why?" which kind off took away from the movie and was in fact unnessary.

Final Script Decision 


ROB stands at the front door and puts headphones on (Music Volume increasing into the score)
       
EXT. ROAD. DAY
ROB bumps into a strange looking man
*Music Stops Dead*
ROB
Oh sorry, mate

STRANGER
(GRUMBLES AND MUTTERS UNDERNEATH HIS BREATH)

EXT. ALLEYWAY. DAY
ROB is grabbed by the STRANGER and thrown into a nearby wall. (Fast Editing is used in this short fight scene)
Close up of neck tie, STRANGER onto ROB’S neck in a firm grip.
ROB grabs a nearby pole and hits the stranger.
STRANGER drops dead to the ground
ROB
What have I done?
(Dropping the Pole and staring at his hands)
ROB runs away leaving the body behind twitching

INT. ROBS ROOM. DAY
ROB lies in bed sleeping waking up at the sound of an alarm clock within the room. Removing the covers he walks to the cupboard.

INT. ROBS BATHROOM. DAY
Stands in front of the mirror preparing for work as he does his tie he stops half way looking at a mark on the side of his neck.
ROB stops looking at the mark and moves back to look at himself in the mirror.
Staring at the mirror he quickly jumps back as he looks at the mirror in fear. The STRANGER standing behind him close to the bathroom door.
ROB
(TURNS AROUND TO FIND THE MAN NO LONGER BEHIND HIM)
He walks out of the bathroom into the hallway
ROB sees the man outside the hallway window and sprints down the stairs to find the front door open wide causing him to stare in both shock and fear at the door.

We felt like this was the best of the three drafts as it seemed to create the most suspense out of all of them, the kind of elements crucial to creating a successful thriller opening.


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